THE HANGOVER REPORT – Youthful vitality and undiminished human spirit shine through in THE JONATHAN LARSON PROJECT

Last night, The Jonathan Larson Project opened Off-Broadway at the Orpheum Theater. Conceived by Jennifer Ashley Tepper as an homage to the late creator of the iconic Pulitzer- and Tony-winning … Continue Reading →

THE HANGOVER REPORT – Dead behind the eyes: Assessing Anne Imhof’s massive, immersive, and multidisciplinary DOOM: HOUSE OF HOPE

This past weekend, I had the opportunity to take in Anne Imhof’s highly anticipated Doom: House of Hope at the Park Avenue Armory. To be sure, Imhof’s latest project — … Continue Reading →

THE HANGOVER REPORT – Outrageous international cabaret star MEOW MEOW does a whole lot more than just purr at Joe’s Pub

Last week, international cabaret star Meow Meow took up residency at Joe’s Pub at the Public Theater, where she did a whole lot more than just purr. The European chanteuse … Continue Reading →

THE HANGOVER REPORT – The singular Batsheva Dance Company returns to BAM with Ohad Naharin’s mesmerizing MOMO

Last night at the BAM Howard Gilman Opera House, I attended the first out of three Batsheva Dance Company performances of Momo, Ohad Naharin’s latest full length piece for eleven … Continue Reading →

THE HANGOVER REPORT – Playing with drama and discipline, the Pappano-led LONDON SYMPHONY ORCHESTRA triumphantly returns to Carnegie Hall

After a hiatus of two decades, the great London Symphony Orchestra makes a highly anticipated return to Carnegie Hall this week for two performances only. As led by newly-appointed music … Continue Reading →

THE HANGOVER REPORT – Lisa Sanaye Dring’s dutifully written SUMO is a fascinating glimpse into the rarefied world of elite sumo wrestling

Last night, Lisa Sanaye Dring‘s Sumo opened Off-Broadway at the Public Theater’s Anspacher Theater in a co-production by the Public Theater, Ma-Yi Theater Company, and La Jolla Playhouse. In short, Dring’s new … Continue Reading →

THE HANGOVER REPORT – Jake Heggie‘s distilled operatic adaptation of MOBY-DICK powerfully launches the Met’s spring season

Last night marked the opening of the Metropolitan Opera’s new production of Moby-Dick — Jake Heggie and Gene Scheer’s powerful adaptation of Herman Melville’s iconic literary work — launching the … Continue Reading →

THE HANGOVER REPORT – Led by Muti, the revered VIENNA PHILHARMONIC returns to Carnegie Hall with its annual weekend of concerts

This past weekend, the highly revered Vienna Philharmonic returned to New York for its annual set of performances at Carnegie Hall, this time around conducted by the great maestro Riccardo … Continue Reading →

THE HANGOVER REPORT – The New Age musical AVALONA is a vague, occasionally stirring re-consideration of the musical theater form

Then over at the Sanctuary at St. Paul and St. Andrew on the Upper West Side, you’ll find the New Age Off-Broadway musical Avalona: A Musical Legend. In essence, the … Continue Reading →

THE HANGOVER REPORT – Stars take on Sam Shepard’s explosive but meandering CURSE OF THE STARVING CLASS, still a relevant allegory for our times

This past weekend, I had the opportunity of attending The New Group’s starry Off-Broadway production of Sam Shepard’s 1978 play Curse of the Starving Class at the Pershing Square Signature … Continue Reading →