THE HANGOVER REPORT – Heléne Yorke and Michael Zegen navigate the spiky terrain of modern dating in STRATEGIC LOVE PLAY

Also last night, Strategic Love Play by Miriam Battye (perhaps best known for lending her writing talents to hit television shows like Succession) opened Off-Broadway at the Minetta Lane Theater, … Continue Reading →

VIEWPOINTS – Strong women at the helm: Amy Berryman’s WALDEN and Jenny Lyn Bader’s MRS. STERN WANDERS THE PRUSSIAN STATE LIBRARY

This week, I encountered a pair of Off-Broadway plays by women playwrights that feature strong women characters at the helm. Read on for my thoughts. WALDENSecond Stage TheaterThrough November 24 … Continue Reading →

VIEWPOINTS – Assessing two deep cuts: Mint’s rare revival of SUMP’N LIKE WINGS and Gingold Theatrical Group’s revamp of THE DEVIL’S DISCIPLE

Over the years, two Off-Broadway theater companies — Mint Theater Company and Gingold Theatrical Group — have made it their mission to dust off plays on the brink of falling … Continue Reading →

THE HANGOVER REPORT – A triumphant return: City Center’s gala revival of RAGTIME lives up to its reputation as one of the great musicals of the modern era

Based on E.L. Doctorow’s 1975 novel Ragtime, the seminal and beloved 1996 musical adaptation of the same name — featuring music by Stephen Flaherty, lyrics by Lynn Ahrens, and a … Continue Reading →

THE HANGOVER REPORT – The immersive new gay-themed musical LITTLE HOUSE ON THE FERRY delivers breezy entertainment

Last night, Robert Gould’s new gay-themed musical Little House on the Ferry officially re-opened The Duplex’s upstairs cabaret space — now rebranded as “Ferry’s Landing” — which has been shuttered … Continue Reading →

THE HANGOVER REPORT – The future looks grim in Sarah Mantell’s poetically wrought new play IN THE AMAZON WAREHOUSE PARKING LOT

Opening earlier this week was Sarah Mantell’s disarming if enigmatic new play In the Amazon Warehouse Parking Lot, Playwrights Horizons’ main stage offering this fall. The winner of last year’s … Continue Reading →

VIEWPOINTS – Hallucinatory visions of the end of the world: Ars Nova’s THE BEASTIARY and Malaprop’s HOTHOUSE

Over the past few days, I came across a pair of shows with grim matters on their minds — namely, the end of the world as we know it, and … Continue Reading →

VIEWPOINTS – Two timely political thrillers at New York City Center: Stephen Sachs’ FATHERLAND and Erika Sheffer’s VLADIMIR

On consecutive nights at each of the subterranean performance spaces at New York City Center, I was able to attend two works of highly charged political theater that tap into … Continue Reading →

THE HANGOVER REPORT – Julia May Jonas’s beguiling A WOMAN AMONG WOMEN engages in a fascinating dialogue with an Arthur Miller warhorse

This week, I ventured out to East Williamsburg to catch the Bushwick Starr’s production of A Woman Among Women by Julia May Jonas. The mounting — a co-presentation with New … Continue Reading →

VIEWPOINTS – All About My Father: Fatherhood woes feature prominently in Lloyd Suh’s FRANKLINLAND and Mathilde Dratwa’s DIRTY LAUNDRY

In my recent theater-going adventures, I came across a pair of new Off-Broadway plays that respectively dramatize — in theatrically imaginative fashion — two cases of fatherhood woes. As always, … Continue Reading →