VIEWPOINTS – South American Magic Realism at Lincoln Center: FLORENCIA EN EL AMAZONAS at The Met and THE GARDENS OF ANUNCIA at LCT

Before the winter doldrums set in, you’ll be able to bask in some tropical South American weather and fragrant magical realism wafting from two of the stages at Lincoln Center. … Continue Reading →

THE HANGOVER REPORT – Irish Rep launches its Friel Project season with a quietly riveting, pitch perfect revival of Brian Friel’s TRANSLATIONS

This week, I was able to catch up with Irish Repertory Theatre’s Off-Broadway revival of Translations by the great Brian Friel, one of the indisputable giants of Irish drama. The … Continue Reading →

THE HANGOVER REPORT – Mischief misfires with its new illusionist spoof MIND MANGLER at New World Stages

Earlier this week at Off-Broadway’s New World Stages, I was able to catch up with Mind Mangler: A Night of Tragic Illusion, the latest creation by Mischief Theatre, the folks … Continue Reading →

VIEWPOINTS – Quirky entertainments that gently upend performative conventions: Ikechukwu Ufomadu’s AMUSEMENTS and The Civilians’ ARTIFICIAL FLAVORS

Thus past week, I came across two quirky Off-Broadway shows that gently upended performative conventions – one as it relates to stand-up comedy, the other to musical theater. Read on … Continue Reading →

THE HANGOVER REPORT – Heartfelt if predictable: Alicia Keys’ affecting semi-biographical HELL’S KITCHEN breaks no new ground

This past weekend, The Public Theater’s highly anticipated new musical Hell’s Kitchen opened Off-Broadway at the Newman Theatre (note that the production’s downtown run is currently completely sold out, although there is … Continue Reading →

VIEWPOINTS – Going to extremes: Downtown theater is alive and well with the outrageous, interactive IN HELL WITH JESUS/ TOP 40 and IT’S THAT TIME OF THE MONTH

This past week, I had the opportunity to take in a pair of outrageous and interactive avant-garde productions. Based on what I experienced, I can happily attest that the city’s … Continue Reading →

VIEWPOINTS – Romantic comedies with intellect: Sparkling revivals of Elizabeth Baker’s PARTNERSHIP and George Bernard Shaw’s ARMS AND THE MAN

This past week at Theatre Row, I had the opportunity to catch up with two sparkling Off-Broadway revivals of plays – both romantic comedies – written circa the turn of … Continue Reading →

VIEWPOINTS – Women waywardly finding their purpose: Dianne Wiest in SCENE PARTNERS and Lameece Issaq in A GOOD DAY TO ME NOT TO YOU

Opening last night were two new Off-Broadway plays with more than passing similarities. More specifically, both works portray women at later stages in their lives as they waywardly search for … Continue Reading →

THE HANGOVER REPORT – A contemplative theatrical fusion: WATCH NIGHT embraces opera, poetry, and dance to create a timely tapestry

Last night, I made my way to the brand new Perelman Performing Arts Center — also known simply as PAC NYC — to catch one of its inaugural commissions Watch Night. … Continue Reading →

VIEWPOINTS – Scoping out the Fringes: Gems at LA MAMA PUPPET FESTIVAL and Heartbeat Opera’s lively drag riff on THE GOLDEN COCK(erel)

This past weekend – in the midst of some high profile fall theater openings – I had the urge to scope out the fringes of New York’s vibrant performing arts … Continue Reading →