THE HANGOVER REPORT – Feeling the steps: Justin Peck’s ILLINOISE gloriously brings Sufjan Stevens’ iconic album to choreographic life

Over the last decade or so, Justin Peck has emerged as perhaps the pre-eminent American choreographer of his generation. Having primarily honed his considerable talent as a dance-maker with the … Continue Reading →

THE HANGOVER REPORT – At The Shed, auteur director Jamie Lloyd puts his indelible stamp on THE EFFECT by Lucy Prebble

How apropos that one of my first visits to the theater in New York after my trip across the pond would be the National Theatre’s production of The Effect at … Continue Reading →

THE HANGOVER REPORT – At the cell, THE TIGER’S BRIDE takes a feminist, immersive spin on “Bluebeard’s Castle”

It’s been a while since I’ve last indulged myself in an immersive theatrical experience. That drought ended last night when I attended Theatre Uzume’s production of The Tiger’s Bride at … Continue Reading →

THE HANGOVER REPORT – The timely Trump musical parody FIVE takes its cue from “Six” but fails to scale the same heights

Musical parodies are a tricky beast to get right despite their continued prevalence in commercial theater. A case in point is Five: The Parody Musical — with a score by … Continue Reading →

VIEWPOINTS – Unlikely bedfellows: Cynthia Nixon and Taylor Trensch in THE SEVEN YEAR DISAPPEAR and Ellen Maddow and Paul Zimet in EXISTENTIALISM

Human relationships come in all shapes and sizes — a fact illustrated by a pair of rigorous if not totally successful Off-Broadway two-handers. As always, read on for my thoughts … Continue Reading →

THE HANGOVER REPORT – He said, she said: The Almeida’s stylishly-staged THE HUNT throws its two cents into the conversation

It’s a been a busy few weeks of “he said, she said” in New York theater. Indeed, plays about allegations of sexual abuse and their resulting incriminations are in the … Continue Reading →

THE HANGOVER REPORT – Urgency fuels THE ALLY, Itamar Moses’ stunning, debate-driven new play at The Public

Last night, The Public Theater’s production of The Ally by Itamar Moses (perhaps best known for penning the book for the Tony-winning musical The Band’s Visit) opened at the Anspacher Theater at the … Continue Reading →

THE HANGOVER REPORT – In the austere I LOVE YOU SO MUCH I COULD DIE, Mona Pirnot expresses love, life, and loss as she can

Last night, I was able to catch up with Mona Pirnot’s one woman show I Love You So Much I Could Die, which is currently running Off-Broadway at New York … Continue Reading →

THE HANGOVER REPORT – David Greenspan decadently sinks his teeth into Joey Merlo’s hallucinatory ON SET WITH THEDA BARA

Any opportunity to witness David Greenspan in action is an occasion to savor. Over the years, the cherished downtown actor has made a name for himself for appearing in virtuosic … Continue Reading →

THE HANGOVER REPORT – Fiasco Theater’s playful, lucid storytelling shows off the Bard’s PERICLES in the best light

Fiasco Theater scored one of its first notable successes more than a decade ago with its delightful, rightfully acclaimed staging of Shakespeare’s Cymbeline. Since then, the company has dabbled with — … Continue Reading →