THE HANGOVER REPORT – The New York Philharmonic responds radiantly to Simone Young, who conducts Britten, Elgar, and Dean

This week saw Simone Young return to lead the New York Philharmonic for the first time in more than two decades. The talented Australian conductor, who was recently named Music … Continue Reading →

THE HANGOVER REPORT – The Met’s inadvertent concert presentation of Berlioz’s LA DAMNATION DE FAUST proves sonically glorious

This past weekend, I attended the opening performance of the Metropolitan Opera’s inadvertent concert presentation of Berlioz’s La Damnation de Faust. I say inadvertent because the opera company had originally planned to … Continue Reading →

VIEWPOINTS – PROTOTYPE 2020 finds the new opera festival as adventurous and vital as ever

One of the highlights of the frigid winter months in New York is the opportunity to bask in Prototype, the vital annual festival celebrating new opera and music theater. This year’s edition … Continue Reading →

THE HANGOVER REPORT – Gustavo Dudamel triumphantly leads the NY PHILHARMONIC after an absence of more than a decade

This past week at the David Geffen Hall at Lincoln Center, Gustavo Dudamel returned to conduct the New York Philharmonic after an absence of more than a decade. As if to compensate … Continue Reading →

VIEWPOINTS – UNDER THE RADAR: Reviews, Batch 2

Happily, my week proceeded with continued Under the Radar immersion. Here is my second batch of reviews. NOT I Touretteshero & Battersea Arts Centre (U.K.) On paper, staging Samuel Beckett’s Not I … Continue Reading →

THE HANGOVER REPORT – Alban Berg’s score darkly shimmers in William Kentridge’s disorienting new production of WOZZECK at the Met

Last night, I attended a performance of the new production of Alban Berg’s renegade one-act opera Wozzeck at the Metropolitan Opera. The staging is by renowned South African visual artist William Kentridge, who previously staged Berg’s Lulu and … Continue Reading →

VIEWPOINTS – A pair of loving revivals of Victorian-era works charm audiences over the holidays: THE MIKADO & LONDON ASSURANCE

Also over the holidays, two loving revivals of arguably archaic 19th century British works charmed New York audiences. First in line was The New York Gilbert and Sullivan Players’ new … Continue Reading →

VIEWPOINTS – Memorable holiday performances at Lincoln Center: THE NUTCRACKER, CELEBRATING SONDHEIM, DER ROSENKAVALIER

Over the past few weeks, Lincoln Center provided some iconic entertainment, befitting the holiday season and the storied performance arts complex. At the David H. Koch Theater, I caught two … Continue Reading →

VIEWPOINTS – The Best of 2019

2019 is now officially a series of memories. Here are the best of them (in alphabetical order, by category).   BEST NEW PLAYS Ain’t No Mo’ (The Public Theater) BLKS (MCC … Continue Reading →

THE HANGOVER REPORT – HARRY CONNICK, JR.: A CELEBRATION OF COLE PORTER is an awkward tribute, but the music-making is sensational

This week at the Nederlander Theatre, Harry Connick, Jr.: A Celebration of Cole Porter opened on Broadway for a limited holiday season run. To say that the show is merely a concert would be … Continue Reading →