THE HANGOVER REPORT – The great JENNIFER HOLLIDAY shines brightly in her sensational Diamond Series debut at 54 Below

Last night, I had the great opportunity to catch the final show of the great Jennifer Holliday’s sensational inaugural Diamond Series residency at 54 Below. In short, the Broadway star … Continue Reading →

THE HANGOVER REPORT – John Cameron Mitchell and Amber Martin’s CASSETTE ROULETTE is an ecstatic display of downtown swagger

Over the course of a number of weeks this winter at Joe’s Pub, John Cameron Mitchell (of Hedwig and the Angry Inch fame) and cabaret star Amber Martin have teamed … Continue Reading →

THE HANGOVER REPORT – Broadway’s MELISSA ERRICO celebrates the femme fatale and all things noir in her cabaret show at Birdland

Just in time for Valentine’s Day, cabaret and musical theater fans wil be able to catch Broadway’s Melissa Errico (My Fair Lady with Richard Chamberlain, High Society, Dracula, Passion, etc.) … Continue Reading →

THE HANGOVER REPORT – The fabulous JULIE BENKO flexes her considerable vocal abilities in a Mardi Gras-inspired set

Last night, I caught the fabulous Julie Benko at Birdland Jazz Club. Perhaps best known as being Lea Michele’s — and previously Beanie Feldstein’s — alternate in the current Broadway … Continue Reading →

THE HANGOVER REPORT – This week, Herbert Blomstedt elicits ample color from the NY PHIL via Berlioz’s “Symphonie fantastique” and Lidholm’s “Poesis”

This week, maestro Herbert Blomstedt – who this year turned a staggering 95 years old and is still in fine spirits – has returned to the newly revitalized David Geffen … Continue Reading →

VIEWPOINTS – Winter nights at the Metropolitan Opera: Giordano’s FEDORA and Poulenc’s DIALOGUES DES CARMÉLITES

This past week, I had the chance to attend a pair of productions at the Metropolitan Opera before the company takes its newly-instituted February hiatus from performances. Here are my … Continue Reading →

VIEWPOINT – PROTOTYPE 2023 continues to be a fertile incubator for the development of important new works of music theater

Last week, I immersed myself in the 2023 edition of Prototype, a weeklong festival of new operas (in the most forward-looking instances of the genre) presented by Beth Morrison Projects … Continue Reading →

THE HANGOVER REPORT – New York Gilbert & Sullivan Players brings back its charming and infectiously-pitched production of H.M.S. PINAFORE

Earlier this month at the Kaye Playhouse at Hunter College, the New York Gilbert & Sullivan Players wrapped up its holiday run of H.M.S. Pinafore. The frivolous piece takes place … Continue Reading →

VIEWPOINTS – 2022 IN REVIEW: Theater, Music, and Dance

2022 saw live performances continue to emerge from Covid’s comprehensive grasp. In no particular order, here are my thematically grouped picks for the most notable happenings in the performing arts … Continue Reading →

VIEWPOINTS – Classical music roundup: NY PHIL’s “Messiah” at the new David Geffen Hall and the mighty PHILADELPHIA ORCHESTRA at Carnegie Hall

This past week, I had the opportunity to touch base with two of the East Coast’s powerhouse orchestras, the New York Philharmonic and the Philadelphia Orchestra at, respectively, the radically … Continue Reading →