VIEWPOINTS – THE BEST OF 2023: Theater, Music, and Dance

With 2023 officially behind us, I’ve taken some time to look back at the year to take stock and assess the performances that have stood out and risen to the … Continue Reading →

THE HANGOVER REPORT – Andrew Rannells and Josh Gad reunite for the inspired Main Stem outing of GUTENBERG! THE MUSICAL!

This week, I had the opportunity to catch up with the inspired Main Stem edition of Gutenberg! The Musical! at the James Earl Jones Theatre. Written by the team of … Continue Reading →

THE HANGOVER REPORT – The supremely silly SPAMALOT returns to Broadway, lifted by inspired casting and the general public’s need for escapism

Earlier this fall, the supremely silly musical Spamalot returned to Broadway at the St. James Theatre. The revival arrives in New York by way of the Kennedy Center in Washington D.C., where … Continue Reading →

THE HANGOVER REPORT – Emphatically appealing to mainstream Broadway, HOW TO DANCE IN OHIO introduces autistism to wider audiences

Last night, the new musical How to Dance in Ohio opened on Broadway at the Belasco Theatre. Based on Alexandra Shiva’s award-winning HBO series of the same name, the production … Continue Reading →

THE HANGOVER REPORT – Danny DeVito leads I NEED THAT, the prolific Theresa Rebeck’s perfectly pleasant Main Stem comedy for Roundabout

Theresa Rebeck continues to be one of the most prolific working playwrights in theater business. This fall alone, she’s unveiled two new plays – the fantastic Dig for Primary Stages … Continue Reading →

THE HANGOVER REPORT – Maria Friedman’s redemptive revival of MERRILY WE ROLL ALONG lands triumphantly on Broadway

Earlier this week (on Halloween, in fact) at the Hudson Theatre, I had the great pleasure of catching up with the Maria Friedman’s acclaimed Broadway revival of Stephen Sondheim and … Continue Reading →

THE HANGOVER REPORT – In her highly anticipated Carnegie Hall debut, LEA MICHELE sings her way down memory lane

Last night, Lea Michele made her highly anticipated Carnegie Hall debut during which she sang herself and her adoring fans down memory lane. With Ms. Michele’s recent triumph as Fanny … Continue Reading →

THE HANGOVER REPORT – Basking in Black joy and rage via rip-roaring satire: Ossie Davis’s PURLIE VICTORIOUS returns to Broadway

Earlier this week at the Music Box Theatre, I had the chance to catch up with the Broadway revival of Ossie Davis’s Purlie Victorious: A Non-Confederate Romp Through the Cotton … Continue Reading →

THE HANGOVER REPORT – Jocelyn Bioh’s exuberant JAJA’S AFRICAN HAIR BRAIDING is a blast of feel goodness, until it’s not

This week, Manhattan Theatre Club’s production of Jaja’s African Hair Braiding by Joscelyn Bioh opened on the Great White Way at The Samuel J. Friedman Theatre. The production marks the … Continue Reading →

THE HANGOVER REPORT – On its journey to the Great White Way, MELISSA ETHERIDGE: MY WINDOW gains intimacy and a newfound confidence

This past week, Melissa Etheridge’s mostly solo theatrical memoir Melissa Etheridge: My Window opened on Broadway at the Circle in the Square Theatre. The show arrives on the Great White … Continue Reading →