THE HANGOVER REPORT – The magnificent Glenda Jackson leads an altogether enthralling KING LEAR

This week, I caught the current Broadway revival of King Lear at the Cort Theatre, starring the grand Glenda Jackson in the title role. Let’s get it out of the way upfront … Continue Reading →

THE HANGOVER REPORT – Laurie Metcalf towers in HILLARY AND CLINTON, Lucas Hnath’s sneaky little play

Yesterday at the John Golden Theatre on Broadway, I took in Lucas Hnath’s enticingly-titled new play Hillary and Clinton. The work is an odd little piece of theater, and it joins Taylor Mac’s Gary: … Continue Reading →

VIEWPOINTS – On Broadway, the battle of the two film-to-stage adaptations: TOOTSIE vs. BEETLEJUICE

This spring, two highly anticipated musical adaptations of beloved films, Tootsie and Beetlejuice, opened on Broadway to mostly positive critical and commercial acclaim. Both were also recently deservedly nominated for … Continue Reading →

THE HANGOVER REPORT – Roundabout revives a searing ALL MY SONS by Arthur Miller

This week, Roundabout Theatre Company’s timely revival of Arthur Miller’s 1947 post-war family tragedy All My Sons opened at the American Airlines Theatre. The last time the play was seen on Broadway was a … Continue Reading →

THE HANGOVER REPORT – Bertie Carvel and Jonny Lee Miller are sensational in James Graham’s flashy INK

Last night, James Graham’s Ink opened on Broadway at the Samuel J. Friedman Theatre via Manhattan Theatre Club. Set in London in 1969, Ink tells the story of how young Rupert Murdoch and a scrappy … Continue Reading →

THE HANGOVER REPORT – A magnetic Adam Driver combusts in the Broadway revival of BURN THIS by Lanford Wilson

This week, the Broadway revival of Burn This by Lanford Wilson opened at the Hudson Theatre. Although I’m familiar with much of Mr. Wilson’s output (Talley’s Folly, Fifth of July, Balm in Gilead, … Continue Reading →

THE HANGOVER REPORT – Daniel Fish’s brilliant, radically re-envisioned OKLAHOMA! remains a stunner on Broadway

Earlier this week, only the second and final musical revival of the 2018-2019 Broadway season (after a very fine revival of Cole Porter’s Kiss Me, Kate! at Studio 54) opened when … Continue Reading →

THE HANGOVER REPORT – The sensational AIN’T TOO PROUD is easily the best bio-jukebox musical since “Jersey Boys”

Last night at the Imperial Theatre, I attended what in my opinion is easily the best jukebox musical – and certainly a strong contender for top honors at the end … Continue Reading →

THE HANGOVER REPORT – Heidi Schreck’s WHAT THE CONSTITUTION MEANS TO ME, more potent than ever on Broadway

Heidi Schreck’s What the Constitution Means to Me has had a long journey this season already, having played to great acclaim Off-Broadway at New York Theatre Workshop in the fall, then continuing … Continue Reading →

THE HANGOVER REPORT – Little Lord’s SKINNAMARINK channels early childhood, menacingly and playfully

Before ending its brief run this weekend, I was able to catch Little Lord’s Skinnamarink, one of the many offerings of New York Theatre Workshop’s Next Door series. The show uses “McGuffey’s Eclectic Readers” … Continue Reading →