THE HANGOVER REPORT – Bobbi Jene Smith’s BROKEN THEATER: A fractured choreographic and meta-theatrical dissection of the theater-making process
- By drediman
- May 1, 2023
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This past weekend at La MaMa’s Ellen Stewart Theatre, I also had the opportunity to catch one of the closing performances of Bobbi Jene Smith’s Broken Theater. Co-presented by La … Continue Reading →
THE HANGOVER REPORT – Kander & Ebb’s (& Miranda’s) NEW YORK, NEW YORK is a flawed yet satisfying love letter to the Big Apple
- By drediman
- May 1, 2023
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Last weekend, I attended the highly anticipated new musical New York, New York at the St. James Theatre. Loosely adapted from the 1977 film of the same name (starring the … Continue Reading →
VIEWPOINTS – Nights at the opera: A tenor wows in his Met debut in L’ELISIR D’AMORE and the last days of a monumental AIDA
- By drediman
- April 28, 2023
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Over the past week or so, I twice paid a visit to the Metropolitan Opera to take in two staples of the repertoire. Read on for my thoughts. L’ELISIR D’AMOREThe … Continue Reading →
THE HANGOVER REPORT – Larissa FastHorse’s pointed satire THE THANKSGIVING PLAY arrives on Broadway sharper than ever
- By drediman
- April 27, 2023
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Last night at the Helen Hayes Theatre, I attended Second Stage’s Broadway mounting of Larissa FastHorse’s The Thanksgiving Play, which arrives on the Great White Way after having played Off-Broadway … Continue Reading →
THE HANGOVER REPORT – David Auburn’s elegant two-hander SUMMER, 1976 is magnificently anchored by Laura Linney and Jessica Hecht
- By drediman
- April 26, 2023
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Last night at the Samuel J. Friedman Theatre, David Auburn’s new play Summer, 1976 opened courtesy of Manhattan Theatre Club, marking the last new play entry on Broadway in an … Continue Reading →
VIEWPOINTS – Catching up with two storied American orchestras: NY PHIL at Geffen Hall and the BSO at Carnegie Hall
- By drediman
- April 25, 2023
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Over the last few days, I had the opportunity to catch up with two storied American orchestras – the New York Philharmonic and the Boston Symphony Orchestra at Geffen Hall … Continue Reading →
THE HANGOVER REPORT – Sean Hayes disappears into Oscar Levant in Doug Wright’s workmanlike new play GOOD NIGHT, OSCAR
- By drediman
- April 25, 2023
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Last night, Doug Wright’s new play Good Night, Oscar opened on Broadway at the Belasco Theatre. The play ran previously at Chicago’s Goodman Theatre where it received encouraging critical notices. … Continue Reading →
THE HANGOVER REPORT – J2 Spotlight winningly commences its 2023 season with a rare revival of Kander & Ebb’s WOMAN OF THE YEAR
- By drediman
- April 24, 2023
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This past weekend, I caught one of the final performances of J2 Spotlight Musical Theatre Company’s revival of Woman of the Year. The production commences J2 Spotlight’s 2023 season, which … Continue Reading →
THE HANGOVER REPORT – CCN BALLET DE LORRAINE returns to New York with a pair of intriguing, large scale North American premieres
- By drediman
- April 22, 2023
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Last night saw the return of CCN Ballet de Lorraine to New York. Performing at NYU Skirball for two shows only (tonight is the second and final performance), the acclaimed … Continue Reading →