THE HANGOVER REPORT – The immersive new gay-themed musical LITTLE HOUSE ON THE FERRY delivers breezy entertainment
- By drediman
- October 31, 2024
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Last night, Robert Gould’s new gay-themed musical Little House on the Ferry officially re-opened The Duplex’s upstairs cabaret space — now rebranded as “Ferry’s Landing” — which has been shuttered … Continue Reading →
THE HANGOVER REPORT – The future looks grim in Sarah Mantell’s poetically wrought new play IN THE AMAZON WAREHOUSE PARKING LOT
- By drediman
- October 31, 2024
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Opening earlier this week was Sarah Mantell’s disarming if enigmatic new play In the Amazon Warehouse Parking Lot, Playwrights Horizons’ main stage offering this fall. The winner of last year’s … Continue Reading →
VIEWPOINTS – Hallucinatory visions of the end of the world: Ars Nova’s THE BEASTIARY and Malaprop’s HOTHOUSE
- By drediman
- October 30, 2024
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Over the past few days, I came across a pair of shows with grim matters on their minds — namely, the end of the world as we know it, and … Continue Reading →
THE HANGOVER REPORT – AMERICAN BALLET THEATRE continues its fall season showing off its versatility in a slew of signature works
- By drediman
- October 28, 2024
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Over the past week or so at the David H. Koch Theater at Lincoln Center, I had the chance to further immerse myself in American Ballet Theatre’s fall season, which … Continue Reading →
THE HANGOVER REPORT – Life lessons go down easily in Delia Ephron’s LEFT ON TENTH starring Julianna Margulies and Peter Gallagher
- By drediman
- October 28, 2024
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This past weekend, I had the opportunity to catch up with the stage adaptation of Delia Ephron’s memoir Left on Tenth, which is currently running on Broadway at the James … Continue Reading →
VIEWPOINTS – Two timely political thrillers at New York City Center: Stephen Sachs’ FATHERLAND and Erika Sheffer’s VLADIMIR
- By drediman
- October 26, 2024
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On consecutive nights at each of the subterranean performance spaces at New York City Center, I was able to attend two works of highly charged political theater that tap into … Continue Reading →
THE HANGOVER REPORT – All their tragic: Youthful ensemble storytelling drives Broadway’s starry, laid back ROMEO AND JULIET
- By drediman
- October 25, 2024
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Last night, the starry new production of William Shakespeare’s Romeo and Juliet opened on Broadway at the Circle in the Square Theatre. Not to be confused with Jamie Lloyd’s unfortunate … Continue Reading →
THE HANGOVER REPORT – Osvaldo Golijov’s fiery opera AINADAMAR makes its Met debut in an evocative, dreamy production
- By drediman
- October 24, 2024
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The major mounting of any contemporary opera is cause for attention — especially during this challenging period for that most extravagant of art forms — which is the reason why … Continue Reading →
THE HANGOVER REPORT – Julia May Jonas’s beguiling A WOMAN AMONG WOMEN engages in a fascinating dialogue with an Arthur Miller warhorse
- By drediman
- October 24, 2024
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This week, I ventured out to East Williamsburg to catch the Bushwick Starr’s production of A Woman Among Women by Julia May Jonas. The mounting — a co-presentation with New … Continue Reading →
VIEWPOINTS – All About My Father: Fatherhood woes feature prominently in Lloyd Suh’s FRANKLINLAND and Mathilde Dratwa’s DIRTY LAUNDRY
- By drediman
- October 23, 2024
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In my recent theater-going adventures, I came across a pair of new Off-Broadway plays that respectively dramatize — in theatrically imaginative fashion — two cases of fatherhood woes. As always, … Continue Reading →