THE HANGOVER REPORT – Turning to itself, The Wooster Group once again methodically reconstructs the past in NAYATT SCHOOL REDUX

The Wooster Group has long been one of the most visible of the longstanding experimental theater troupes in New York. Based out of the Performing Garage — the company’s well-worn … Continue Reading →

THE HANGOVER REPORT – Hamid Rahmanian’s SONG OF THE NORTH is shadow puppetry as epic as its subject

For two weekends only, the New Victory Theater — New York’s premiere venue to catch high quality, typically thought provoking children’s theater — is presenting Hamid Rahmanian’s Song of the … Continue Reading →

THE HANGOVER REPORT – JENN COLELLA returns to 54 Below with an intimate, heartfelt show focused on her musical theater roots

Last night, I had the great pleasure of catching Jenn Colella in cabaret mode at 54 Below. The Tony nominee is no stranger to 54 Below, having twice held court … Continue Reading →

VIEWPOINTS – Theatrical manifestations of cultural icons: Peter Danish’s LAST CALL and Michael Walek’s HAVE YOU MET JANE GOODALL AND HER MOTHER?

This past weekend, I was able to take in a pair of Off-Broadway plays that conjured theatrical manifestations of twentieth century icons of art and science, albeit in drastically different … Continue Reading →

THE HANGOVER REPORT – Nia Akilah Robinson unearths inter-generational woes in Soho Rep’s production of THE GREAT PRIVATION

Now that Soho Rep has moved uptown to Hell’s Kitchen — namely, to Playwrights Horizons’ upstairs Peter Jay Sharp Theater — the company has officially entered a new chapter in … Continue Reading →

THE HANGOVER REPORT – Dynamic incoming music director Gustavo Dudamel conducts the NY PHILHARMONIC, indicating riches to come

This weekend at David Geffen Hall, I had the great pleasure of catching superstar conductor Gustavo Dudamel lead the New York Philharmonic. There’s much hype about the incoming music director’s … Continue Reading →

VIEWPOINTS – Global dance offerings to catch now: TWYLA THARP premieres, the return of GAUTHIER DANCE, and the city-wide FLAMENCO FESTIVAL

This week in New York, dance fans have a wide array of global dance performances at their finger tips. As per usual, read on for my further thoughts on these … Continue Reading →

THE HANGOVER REPORT – Soprano Lise Davidsen and conductor Susanna Mälkki gorgeously lead Bethoven’s FIDELIO

Certainly one of the highlights of the Metropolitan Opera’s 2024/2025 season thus far is the current revival of Beethoven’s Fidelio (for the record, my other highlights of the Met season … Continue Reading →

THE HANGOVER REPORT – A nervous contemporary energy and a superb Paul Mescal drive a rebalanced STREETCAR

Last night, the highly anticipated Almeida Theatre revival of Tennessee Williams’ A Streetcar Named Desire opened at the Brooklyn Academy of Music’s Harvey Theater. The production arrives on our shores … Continue Reading →

THE HANGOVER REPORT – An unfussy new translation and top tier acting distinguish Lincoln Center Theater’s revival of Ibsen’s GHOSTS

In the coming weeks, an onslaught of starry, high profile revivals are slated to open Off-Broadway, starting with last night’s official opening of Lincoln Center Theater’s production of Ghosts by … Continue Reading →