THE HANGOVER REPORT – Miguel Gutierrez’s SUPER NOTHING explores our capacity for resilience (as well as our limitations)

This past weekend, I also had the opportunity to attend Super Nothing by Miguel Gutierrez, an established downtown choreographer who is completing a two-year residency at New York Live Arts. … Continue Reading →

VIEWPOINTS – At 20, UNDER THE RADAR expands its reach with a blast of out-of-the-box theatrical experiences (Part 2)

My Under the Radar 2025 experience continued with a second week of full immersion. As before, read on for my thoughts on my excursions last week. SHOW/BOAT: A RIVERPresented by … Continue Reading →

THE HANGOVER REPORT – The robustly-voiced matinee idol DEREK KLENA effortlessly appeases his fans at 54 Below

Over at 54 Below, Broadway’s Derek Klena recently concluded a week of sold out performances, to which many of his adoring fans flocked (I attended his final performance on Monday). … Continue Reading →

THE HANGOVER REPORT – In MINDPLAY, Vinny DePonto finds a human angle to deploy his impressive mentalist trickery

Earlier this week, Vinny DePonto’s immersive mentalist act Mindplay opened Off-Broadway at the Greenwich House Theater. In his latest solo show, DePonto — a relatable, down-to-earth, and imminently likeable talent … Continue Reading →

VIEWPOINTS – At 20, UNDER THE RADAR expands its reach with a blast of out-of-the-box theatrical experiences (Part 1)

January in New York means a plethora of Under the Radar goodness for performing arts enthusiasts (like myself) to immerse themselves in. This year celebrating its landmark 20th anniversary — … Continue Reading →

THE HANGOVER REPORT – The Met’s new AIDA aims to appease both traditionalists and woke audiences, to mixed results

This past weekend, I made a trip to the Metropolitan Opera to take in the company’s new production of Aida. Having glamorously premiered on New Year’s Eve, Michael Mayer’s anticipated … Continue Reading →

THE HANGOVER REPORT – Audra McDonald triumphs in a color-conscious GYPSY that exposes new nuances in the classic musical

Over at the Majestic Theatre on Broadway, you’ll find six-time Tony-winner Audra McDonald getting the daily opportunity to sink her teeth into one of theater’s most iconic roles — described … Continue Reading →

VIEWPOINTS – THE BEST OF 2024: Theater, Music, and Dance

With 2024 recently behind us, what better time to take stock of the year that’s just transpired to highlight the performances that have particularly distinguished themselves from the pack. Read … Continue Reading →

VIEWPOINTS – More holiday fare to end the season on a high: BIG APPLE CIRCUS, the NY POPS, and the tour of ANNIE muster good cheer

To close out the year, I attended a flurry of diverse performances that mustered good cheer, further ushering me into the holiday spirit. Here are my thoughts on the these … Continue Reading →

VIEWPOINTS – Explosive, erotically-charged two-handers: Ken Urban’s A GUIDE FOR THE HOMESICK and Philip Ridley’s TENDER NAPALM

This fall/winter, New York theater audiences have been able to sink their teeth into a pair of explosive, erotically-charged Off-Broadway two-handers. These would be Ken Urban’s A Guide for the … Continue Reading →