THE HANGOVER REPORT – DAVID GREENSPAN dazzles in Mona Pirnot’s meta-theatrical I’M ASSUMING YOU KNOW DAVID GREENSPAN
- By drediman
- April 14, 2025
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Over the years, theater genius David Greenspan has established himself as an uncompromising theater artist of the first order. His legendary single-handed bouts with unconventional theatrical material — among them … Continue Reading →
VIEWPOINTS – Dance Roundup: MARTHA GRAHAM DANCE COMPANY at The Joyce and DANCE THEATRE OF HARLEM at City Center
- By drediman
- April 14, 2025
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Over the last week or so, I had the opportunity to attend spring season performances by two of the city’s most historic and revered dance companies, Martha Graham Dance Company … Continue Reading →
THE HANGOVER REPORT – The inspired stage adaptation of SMASH is an obsessive love letter to musical theater and the creative process
- By drediman
- April 11, 2025
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After what has seemed like a long and winding road, the stage version of Smash at long last opened on the Great White Way on Thursday night at the Imperial … Continue Reading →
THE HANGOVER REPORT – Benedict Andrews’ contemporary THE CHERRY ORCHARD injects compelling immediacy into the Chekhov classic
- By drediman
- April 10, 2025
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This week at St. Ann’s Warehouse in Brooklyn, I had the opportunity to take in the New York premiere of Benedict Andrews’ fresh new adaptation of Anton Chekhov’s The Cherry … Continue Reading →
THE HANGOVER REPORT – Bernadette Peters, Lea Salonga, and company comprehensively celebrate the works of Sondheim in OLD FRIENDS
- By drediman
- April 9, 2025
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Last night, the latest in the growing number of high profile revues of the works of the great Stephen Sondheim arrived on Broadway in the form of Old Friends at … Continue Reading →
THE HANGOVER REPORT – Jessica Hecht delivers a voracious performance in Neena Beber’s prismatic new play A MOTHER
- By drediman
- April 8, 2025
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Last night, Neena Beber’s new play A Mother opened at the Baryshnikov Arts Center as part of the performing arts institution’s 20th anniversary season. Conceived by Beber alongside beloved stage … Continue Reading →
THE HANGOVER REPORT – Led by the bubbly Jasmine Amy Rogers, the 21st century musical version of BOOP! is highly enjoyable escapist fun
- By drediman
- April 8, 2025
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Then over at the Broadhurst Theatre, you’ll find Boop! The Musical, a musical inspired by the iconic animated character Betty Boop. During the 1930s in the midst of the Great … Continue Reading →
THE HANGOVER REPORT – Adrienne Warren is breathtaking in the strangely lopsided Broadway revival of THE LAST FIVE YEARS
- By drediman
- April 8, 2025
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Earlier this week at the Hudson Theatre, I attended the Broadway arrival of Jason Robert Brown’s pseudo-autobiographical The Last Five Years. Written in 2001, the intimate two-hander musical — which … Continue Reading →
THE HANGOVER REPORT – Barrie Kosky’s heightened staging of THE THREEPENNY OPERA brings danger and seduction to the classic
- By drediman
- April 8, 2025
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This past weekend, I had the great opportunity to catch the storied Berliner Ensemble’s acclaimed revival of The Threepenny Opera by Bertolt Brecht and Kurt Weill. Co-presented by the Brooklyn … Continue Reading →
THE HANGOVER REPORT – City Ballet’s SARA MEARNS bravely processes her feelings in her thoughtful Artists at the Center program
- By drediman
- April 6, 2025
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Since being founded in 2022, New York City Center’s Artists at the Center series has given dance artists — including notable talents such as Tiler Peck, Ayodele Casel, and Pam … Continue Reading →