THE HANGOVER REPORT – Samuel D. Hunter’s emotionally bruised GRANGEVILLE is another portrait of damaged souls from Idaho

Earlier this week, Signature Theatre‘a production of Grangeville by Samuel D. Hunter opened Off-Broadway. In essence, the new play tells the story of Arnold and Jerry, two estranged brothers — … Continue Reading →

THE HANGOVER REPORT – Thrilling vocals course through LINDA EDER’s pop, jazz, and Broadway-infused set at 54 Below

Last night, I had the great privilege of attending Linda Eder’s popular cabaret show at 54 Below, her go-to venue to play when touring New York. For those unfamiliar with … Continue Reading →

THE HANGOVER REPORT – Le Théâtre de l’Entrouvert’s ANYWHERE at HERE is oblique and ritualistic puppet theater

Also this past weekend, I attended a performance of Théâtre de l’Entrouvert and Chicago International Puppet Theater Festival’s presentation of Anywhere, courtesy of of HERE’s Dream Music Puppetry programming. First … Continue Reading →

THE HANGOVER REPORT – Mint Theater Company presents Harold Brighouse’s GARSIDE’S CAREER in the best possible light

This past weekend at Off-Broadway’s Theatre Row, I also had the chance to take in Mint Theater Company’s rare revival of Harold Brighouse’s 1914 play Garside’s Career. The play tells … Continue Reading →

THE HANGOVER REPORT – Kate Gilmore disarms in SAFE HOUSE, Enda Walsh and Anna Mullarkey’s bleak, surreal song cycle

Last weekend, I ventured once again out to Brooklyn to catch the Abbey Theatre’s production of Safe House at St. Ann’s Warehouse. The unique show — which is being presented … Continue Reading →

THE HANGOVER REPORT – TFANA’s luicedly-acted, single-evening HENRY IV emphases intimacy and full engagement with the language

This past week in Brooklyn’s Fort Greene neighborhood, I was able to catch up with Theatre for a New Audience’s production of Henry IV at the Polonsky Shakespeare Center. Despite … Continue Reading →

THE HANGOVER REPORT – Bess Wohl’s LIBERATION grapples with the unresolved strides of the feminist movement from dual perspectives

Last night, Bess Wohl’s deceptively straightforward new play Liberation opened Off-Broadway at the Laura Pels Theatre courtesy of Roundabout Theatre Company. The work is based on the playwright’s musings about … Continue Reading →

VIEWPOINTS – Paying homage to dance icons: Channeling Nijinsky in ANIMA ANIMAL and Cunningham in BEGIN ANYWHERE

Over the past few days, I had the chance to take in a pair of new works of dance that paid homage to icons of the form. As always, read … Continue Reading →

THE HANGOVER REPORT – Opera as downtown theater: Heartbeat Opera’s intimately scaled SALOME is an in-your-face thriller

This past holiday weekend, I also had the opportunity to catch the final performance of Heartbeat Opera’s compact version of Salome. Based on Oscar Wilde’s 1891 play of the same … Continue Reading →

VIEWPOINTS – Divas of distinction: JOAQUINA KALUKANGO, MELISSA ERRICO, and KLEA BLACKHURST strut their stuff in song

This holiday weekend at various venues across the city, I had the opportunity to catch some wonderful nightclub acts from a trio of truly distinctive divas. Collectively, they proved that … Continue Reading →