VIEWPOINTS – More holiday fare to end the season on a high: BIG APPLE CIRCUS, the NY POPS, and the tour of ANNIE muster good cheer

To close out the year, I attended a flurry of diverse performances that mustered good cheer, further ushering me into the holiday spirit. Here are my thoughts on the these … Continue Reading →

VIEWPOINTS – Explosive, erotically-charged two-handers: Ken Urban’s A GUIDE FOR THE HOMESICK and Philip Ridley’s TENDER NAPALM

This fall/winter, New York theater audiences have been able to sink their teeth into a pair of explosive, erotically-charged Off-Broadway two-handers. These would be Ken Urban’s A Guide for the … Continue Reading →

THE HANGOVER REPORT – Jonathan Spector’s EUREKA DAY arrives on Broadway more relevant and pointed than when it first premiered

For my final performance of 2024, I chose to attend Manhattan Theatre Club’s Broadway mounting of Eureka Day by Jonathan Spector at the Samuel J. Friedman Theatre. The play has … Continue Reading →

THE HANGOVER REPORT – An all-star cast animates CULT OF LOVE, Leslye Headland‘s deliciously caustic family comedy-drama

Last night, I had the opportunity to catch up with Second Stage Theater’s Broadway mounting of Cult of Love by Leslye Headland at the intimate Helen Hayes Theater. Known for … Continue Reading →

THE HANGOVER REPORT – Richard Foreman makes a welcome return to experimental theater-making with SUPPOSE BEAUTIFUL MADELINE HARVEY

Over the years, Richard Foreman has become almost synonymous with New York’s avant-garde theater scene both in terms of aesthetic and content. Largely through his Ontological-Hysteric Theater — which he … Continue Reading →

VIEWPOINTS – A pair of comics, JANINE HAROUNI and JOSH GLANC, idiosyncratically take the SoHo Playhouse stage

This past weekend, I ventured downtown to catch a pair of London-based comics — both of whom had hits at this year’s Edinburgh Fringe — take on the SoHo Playhouse … Continue Reading →

VIEWPOINTS – Cozying up to a pair of Off-Broadway musicals: York’s WELCOME TO THE BIG DIPPER and Irish Rep’s A CHILD’S CHRISTMAS IN WALES

For musical theater fans looking to stay clear of the New York holiday madness (including seeing a show on the Great White Way), I can recommend cozying up to two … Continue Reading →

VIEWPOINTS – Assessing a pair of Off-Broadway revivals: An overwrought MERCHANT OF VENICE and a crystalline mounting of ORSON’S SHADOW

In this midst of this busy fall/winter theater season, I had the chance to take a pair of Off-Broadway revivals that stealthily opened in the East Village. Here are my … Continue Reading →

VIEWPOINTS – Commemorating Latina icons on their own terms: GIVE ME CARMELITA TROPICANA! at Soho Rep and MERCEDES, PART 1 at BAM

Over the past week or so, I came across two decidedly avant-garde production that commemorated Latina icons on their own defiant terms. As per usual, read on for my further … Continue Reading →

VIEWPOINTS – Star-driven plays, Off-Broadway: Robert O’Hara’s SHIT. MEET. FAN. and Kenneth Lonergan’s HOLD ON TO ME DARLING

This fall/winter season, theatergoers clamored for tickets to two star-driven plays Off-Broadway, both of which commanded top dollar for admission. As per usual, read on for my thoughts on these … Continue Reading →