THE HANGOVER REPORT – Zach Zucker is the ineptly offensive JACK TUCKER, an unhinged comic creation that spares no one

Last night, I was able to experience Zach Zucker dissolve into his alter-ego — the ineptly offensive comedian “Jack Tucker” — in an act innocuously titled Comedy Standup Hour. Over … Continue Reading →

VIEWPOINTS – Two theatrical legends masterfully take the stage Off-Broadway: Len Cariou in TUESDAYS WITH MORRIE and Charles Busch in IBSEN’S GHOST

Over the past few days, I had the pleasure of catching two legends of the theater masterfully take the stage in a pair of Off-Broadway shows. As per usual, read … Continue Reading →

THE HANGOVER REPORT – J.T. Rogers’ intermittently gripping CORRUPTION flags under the weight of its ambitions

Lincoln Center Theater scored big when it presented J.T. Rogers’ Oslo, which deservedly went on to win the 2017 Tony Award for Best Play. Unfortunately, the playwright’s latest work — Corruption at Off-Broadway’s … Continue Reading →

THE HANGOVER REPORT – David Yazbek and Itamar Moses’ quirky renegade musical DEAD OUTLAW beguiles

One of the more beguiling entries in this busy spring theater season is the new Off-Broadway musical Dead Outlaw currently playing at the Minetta Lane Theater. Featuring a score by … Continue Reading →

THE HANGOVER REPORT – Feeling the steps: Justin Peck’s ILLINOISE gloriously brings Sufjan Stevens’ iconic album to choreographic life

Over the last decade or so, Justin Peck has emerged as perhaps the pre-eminent American choreographer of his generation. Having primarily honed his considerable talent as a dance-maker with the … Continue Reading →

VIEWPOINTS – London theater notebook: A recap of a comprehensive theater trip across the pond

I recently had the opportunity to travel across the pond to London to indulge in the capital’s rich theater scene, immersing myself in a whirlwind itinerary of fifteen shows spread … Continue Reading →

THE HANGOVER REPORT – At The Shed, auteur director Jamie Lloyd puts his indelible stamp on THE EFFECT by Lucy Prebble

How apropos that one of my first visits to the theater in New York after my trip across the pond would be the National Theatre’s production of The Effect at … Continue Reading →

THE HANGOVER REPORT – John Patrick Shanley’s elegantly succinct DOUBT returns to Broadway, it’s prismatic mysteries still tightly held

Last night, the Broadway revival of John Patrick Shanley Doubt: A Parable opened at the newly-christened Todd Haimes Theatre — formerly the generically named American Airlines Theatre — courtesy of … Continue Reading →

THE HANGOVER REPORT – At the cell, THE TIGER’S BRIDE takes a feminist, immersive spin on “Bluebeard’s Castle”

It’s been a while since I’ve last indulged myself in an immersive theatrical experience. That drought ended last night when I attended Theatre Uzume’s production of The Tiger’s Bride at … Continue Reading →

THE HANGOVER REPORT – The timely Trump musical parody FIVE takes its cue from “Six” but fails to scale the same heights

Musical parodies are a tricky beast to get right despite their continued prevalence in commercial theater. A case in point is Five: The Parody Musical — with a score by … Continue Reading →