VIEWPOINTS – PROTOTYPE shocks and awes its way to a triumphant 2016 edition
- By drediman
- January 19, 2016
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Since the demise of Dicapo Opera Theatre and New York City Opera (33 years and 70 years in operation, respectively!), it seemed that the hulking Met would have to shoulder … Continue Reading →
VIEWPOINTS – A look back at some of the performing arts festivals that never failed to challenge, enrich (and frustrate) me
- By drediman
- January 5, 2016
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For me, one of the most exciting aspects of attending live performance is the prospect of being exposed to new forms of expression, combinations, and perspectives. In the city, no … Continue Reading →
VIEWPOINTS – Opera is thriving in the unlikeliest of places
- By drediman
- November 18, 2015
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The common perception of opera is that it is a static art form, mostly stuck in the past in largely museum-piece productions. However, four productions I caught recently have put … Continue Reading →
VIEWPOINTS – Two Off-Broadway musicals push the limits of the form
- By drediman
- October 25, 2015
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After recently sitting through the backward-looking musicals Trip of Love and Rothschild & Sons, I am happy to report the opening of two new Off-Broadway tuners that are pushing the … Continue Reading →
THE HANGOVER REPORT – The rechristened MasterVoices produces a sparkling PIRATES
- By drediman
- October 16, 2015
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Last night I was treated to a sparkling concert performance of Gilbert and Sullivan’s The Pirates of Penzance (or the Slave of Duty) at City Center, courtesy of the recently … Continue Reading →
THE HANGOVER REPORT – The Met unleashes a sublime TANNHÄUSER
- By drediman
- October 14, 2015
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Last night, I caught what is surely one of the highlights of the current Met season – this fall’s revival of Otto Schenk’s ultra traditional 1977 staging of Wagner’s Tannhäuser, … Continue Reading →
THE HANGOVER REPORT – The Met’s new OTELLO delivers when it counts
- By drediman
- September 29, 2015
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Last night I caught Bartlett Sher’s brooding if uneven new production of Verdi’s powerful Otello at the Met. Sher’s production worked best on a bare stage with his singers, along … Continue Reading →