THE HANGOVER REPORT – Led by Maestro Bychkov, the NY PHILHARMONIC plays a satisfying program comprised of Strauss, Dessner, and Rachmaninoff

This week for three performances at David Geffen Hall, the New York Philharmonic welcomed conductor Semyon Bychkov to lead the orchestra in playing a program comprised of two lushly orchestral … Continue Reading →


THE HANGOVER REPORT – Anthony Davis’s fascinating X: THE LIFE AND TIMES OF MALCOLM X makes its belated premiere at the Metropolitan Opera

This fall, Anthony Davis’s X: The Life and Times of Malcolm X made its long-awaited debut at the Metropolitan Opera (the production is a co-presentation with Detroit Opera, Lyric Opera … Continue Reading →


THE HANGOVER REPORT – A contemplative theatrical fusion: WATCH NIGHT embraces opera, poetry, and dance to create a timely tapestry

Last night, I made my way to the brand new Perelman Performing Arts Center — also known simply as PAC NYC — to catch one of its inaugural commissions Watch Night. … Continue Reading →


THE HANGOVER REPORT – Susanna Mälkki leads the NY PHIL in an undaunted Ligeti Piano Concerto and a majestic “Pictures at an Exhibition”

This week at at Lincoln Center, the in-demand Finnish conductor Susanna Mälkki returned to David Geffen Hall to lead the New York Philharmonic in a fascinating and musically satisfying program. … Continue Reading →


THE HANGOVER REPORT – In her highly anticipated Carnegie Hall debut, LEA MICHELE sings her way down memory lane

Last night, Lea Michele made her highly anticipated Carnegie Hall debut during which she sang herself and her adoring fans down memory lane. With Ms. Michele’s recent triumph as Fanny … Continue Reading →


VIEWPOINTS – Laurie Anderson’s upbeat LET X = X and Gregory Maqoma’s transcendent BROKEN CHORD kick off BAM’S Next Wave 2023 with a bang

This week, the 2023 version of the Brooklyn Academy of Music‘s Next Wave Festival kicked off with a bang with a pair of memorable offerings (see below for my further … Continue Reading →


THE HANGOVER REPORT – More than two decades onwards, Heggie and McNally’s DEAD MAN WALKING arrives at the Met in a new, clear-eyed staging

This week, I was also able to catch up with the Metropolitan Opera’s new production of Dead Man Walking, American composer Jake Heggie and the late playwright Terrence McNally’s opera adaptation … Continue Reading →


THE HANGOVER REPORT – In her exceptional NY PHILHARMONIC debut, conductor Mirga Gražinytė-Tyla firmly leads a program comprised of Schumann, Sibelius, and Šerkšnytė

This past week at the David Geffen Hall at Lincoln Center, conductor Mirga Gražinytė-Tyla made an exceptional debut conducting the New York Philharmonic. Before stepping onto the podium to commence … Continue Reading →


THE HANGOVER REPORT – The unpinnable and fascinating Arca holds court as only she can in MUTANT;DESTRUDO at the Park Avenue Armory

Last night, I found myself at the Park Avenue Armory to take in Arca perform her latest work Mutant;Destrudo. Commissioned by the Park Avenue Armory, the piece straddles both pop … Continue Reading →


THE HANGOVER REPORT – In his intimate, storytelling driven new show, Tony-winner NORBERT LEO BUTZ gets into his feelings

This past Monday, Norbert Leo Butz unveiled his latest cabaret act at 54 Below. Entitled Norbert Leo Butz Sings Torch Songs for a Pandemic, the show finds the two time Tony-winner … Continue Reading →