THE HANGOVER REPORT – Camille A. Brown’s triumphant I AM celebrates Black joy and dance’s capacity for transcendence

Last night at The Joyce Theater in Chelsea, Camille A. Brown unveiled her latest full length work I AM to New York audiences. Altogether, it was a triumphant premiere from … Continue Reading →

THE HANGOVER REPORT – Hervé Koubi’s gravity-defying WHAT THE DAY OWES TO THE NIGHT meditates on the choreographer’s Algerian roots

This week, the virtuosic Compagnie Hervé KOUBI has returned to The Joyce with What The Day Owes To The Night, one of the company’s signature pieces. Inspired by Algerian author Yasmina … Continue Reading →

THE HANGOVER REPORT – In the genre-defying MANY HAPPY RETURNS, Monica Bill Barnes and Robbie Saez de Viteri revel in our shared humanity

Last night at Playwrights Horizons’ Peter Jay Sharp Theater, I attended one of the extended Off-Broadway performances of Monica Bill Barnes and Robbie Saenz de Viteri’s Many Happy Returns (the … Continue Reading →

THE HANGOVER REPORT – Miguel Gutierrez’s SUPER NOTHING explores our capacity for resilience (as well as our limitations)

This past weekend, I also had the opportunity to attend Super Nothing by Miguel Gutierrez, an established downtown choreographer who is completing a two-year residency at New York Live Arts. … Continue Reading →

VIEWPOINTS – At 20, UNDER THE RADAR expands its reach with a blast of out-of-the-box theatrical experiences (Part 2)

My Under the Radar 2025 experience continued with a second week of full immersion. As before, read on for my thoughts on my excursions last week. SHOW/BOAT: A RIVERPresented by … Continue Reading →

VIEWPOINTS – At 20, UNDER THE RADAR expands its reach with a blast of out-of-the-box theatrical experiences (Part 1)

January in New York means a plethora of Under the Radar goodness for performing arts enthusiasts (like myself) to immerse themselves in. This year celebrating its landmark 20th anniversary — … Continue Reading →

VIEWPOINTS – THE BEST OF 2024: Theater, Music, and Dance

With 2024 recently behind us, what better time to take stock of the year that’s just transpired to highlight the performances that have particularly distinguished themselves from the pack. Read … Continue Reading →

VIEWPOINTS – Dance recap: AILEY unveils new works by Hope Boykin and Lar Lubavitch and THE TROCKS celebrate 50 years at The Joyce

This week, I caught up with a pair of crowd-pleasing dance companies. As per usual, read on below for my thoughts on these year-capping performances. ALVIN AILEY AMERICAN DANCE THEATERNew … Continue Reading →

VIEWPOINTS – Following THE NUTCRACKER into abstraction via New York City Ballet, Mark Morris Dance Group, and Nature Theater of Oklahoma

This holiday season, I had the opportunity to attend a trio of extremely different dance presentations inspired by the classic holiday ballet The Nutcracker. Read on for my thoughts on … Continue Reading →

VIEWPOINTS – Envisioning bold, new futures: Kyle Abraham’s DEAR LORD, MAKE ME BEAUTIFUL and Jamar Roberts’ AI-ANDALUS BLUES

In dance news, this week unveiled a pair of new pieces by two important Black contemporary choreographers — Kyle Abraham and Jamar Roberts — as well as the 25th anniversary … Continue Reading →