VIEWPOINTS – Dance Roundup: HUBBARD STREET DANCE CHICAGO returns to The Joyce and NEW YORK CITY BALLET commits to 21st century choreographers
- By drediman
- February 18, 2023
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Over the past week or so, I was able to attend a pair of dance performances that together featured the works of some of today’s sought after contemporary choreographers. Here … Continue Reading →
VIEWPOINTS – Dusting off GISELLE and COPLAND: Alexei Ratmansky and Justin Peck unveil highly anticipated full length works
- By drediman
- February 6, 2023
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This past week, I attended two highly anticipated full evening works of dance that dusted off familiar material – one an exquisite reconsideration of a beloved classical ballet, the other … Continue Reading →
THE HANGOVER REPORT – Sweden’s Cullberg makes its Joyce debut with Deborah Hay’s clinical HORSE, THE SOLOS
- By drediman
- February 2, 2023
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Last night, Sweden’s contemporary dance company Cullberg made its debut at The Joyce Theater. For its maiden set of performances at the Chelsea dance venue, the company has chosen to … Continue Reading →
THE HANGOVER REPORT – Germany’s tanzmainz makes its Joyce debut with Sharon Eyal’s visceral, hypnotic SOUL CHAIN
- By drediman
- January 26, 2023
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This week, the German contemporary dance company known as tanzmainz makes its Joyce debut. For the occasion, the company – which takes its residence at the prolific Chelsea dance venue through … Continue Reading →
THE HANGOVER REPORT – For one night only, the great Natalia Osipova conjures the versatility of her career in FORCE OF NATURE
- By drediman
- January 25, 2023
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This past weekend, Natalia Osipova performed for one night only at New York City Center, giving her many dance fans a glimpse, once again, of the greatness that elevated her … Continue Reading →
THE HANGOVER REPORT – The romance fails to ignite in Hong Kong Ballet’s otherwise sweeping and cinematic update of ROMEO & JULIET
- By drediman
- January 17, 2023
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This past weekend at New York City Center, Hong Kong Ballet performed – for two performances only – its production of Romeo & Juliet, which has been choreographed by the … Continue Reading →
VIEWPOINTS – LONDON THEATER RECAP: An overview of new family fare, high dramas, some requisite Shakespeare, and twists on ballet classics
- By drediman
- January 14, 2023
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VIEWPOINTS – LONDON THEATER RECAP: An overview of new family fare, high dramas, some requisite Shakespeare, and twists on ballet classics Over the holiday season, I got the opportunity to … Continue Reading →
VIEWPOINTS – 2022 IN REVIEW: Theater, Music, and Dance
- By drediman
- January 9, 2023
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2022 saw live performances continue to emerge from Covid’s comprehensive grasp. In no particular order, here are my thematically grouped picks for the most notable happenings in the performing arts … Continue Reading →
THE HANGOVER REPORT – In a terrifically eclectic “Revelations”-less evening, ALVIN AILEY unveils new works by Jamar Roberts and Kyle Abraham
- By drediman
- December 23, 2022
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Earlier this week, I attended a performance by Alvin Ailey American Dance Theater at New York City Center, where the beloved dance company is wrapping up its current winter/fall season … Continue Reading →
VIEWPOINTS – Dance roundup: City Ballet’s Sterling Hyltin retires in THE NUTCRACKER and MICHELLE DORRANCE’s exuberant evening of world premieres
- By drediman
- December 9, 2022
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This past week, I got my dance fix by way of a pair of eclectic performances. Here are my thoughts on them, as always. NEW YORK CITY BALLET: GEORGE BALANCHINE’S … Continue Reading →