THE HANGOVER REPORT – Branden Jacobs-Jenkins spiky family drama APPROPRIATE ferociously takes Broadway by storm

Last night, I finally had the opportunity to catch up with the Second Stage production of Branden Jacobs-Jenkins’ sensational 2014 play Appropriate, which is currently playing on Broadway at the Hayes … Continue Reading →

THE HANGOVER REPORT – Kelli O’Hara and Brian d’Arcy James are exquisitely devastating in the Broadway transfer of DAYS OF WINE AND ROSES

Last night, the musical adaptation of Days of Wine and Roses arrived on the Great White Way at Studio 54 after having enjoyed a sold out run Off-Broadway last year … Continue Reading →

THE HANGOVER REPORT – More timely than ever, Joshua Harmon’s PRAYER FOR THE FRENCH REPUBLIC makes the jump to Broadway

Over at the Samuel J. Friedman Theatre, I recently had the chance to catch up with the Broadway transfer of Manhattan Theatre Company’s production of Prayer for the French Republic by Joshua … Continue Reading →

VIEWPOINTS – THE BEST OF 2023: Theater, Music, and Dance

With 2023 officially behind us, I’ve taken some time to look back at the year to take stock and assess the performances that have stood out and risen to the … Continue Reading →

THE HANGOVER REPORT – Andrew Rannells and Josh Gad reunite for the inspired Main Stem outing of GUTENBERG! THE MUSICAL!

This week, I had the opportunity to catch up with the inspired Main Stem edition of Gutenberg! The Musical! at the James Earl Jones Theatre. Written by the team of … Continue Reading →

THE HANGOVER REPORT – The supremely silly SPAMALOT returns to Broadway, lifted by inspired casting and the general public’s need for escapism

Earlier this fall, the supremely silly musical Spamalot returned to Broadway at the St. James Theatre. The revival arrives in New York by way of the Kennedy Center in Washington D.C., where … Continue Reading →

THE HANGOVER REPORT – Emphatically appealing to mainstream Broadway, HOW TO DANCE IN OHIO introduces autistism to wider audiences

Last night, the new musical How to Dance in Ohio opened on Broadway at the Belasco Theatre. Based on Alexandra Shiva’s award-winning HBO series of the same name, the production … Continue Reading →

THE HANGOVER REPORT – Danny DeVito leads I NEED THAT, the prolific Theresa Rebeck’s perfectly pleasant Main Stem comedy for Roundabout

Theresa Rebeck continues to be one of the most prolific working playwrights in theater business. This fall alone, she’s unveiled two new plays – the fantastic Dig for Primary Stages … Continue Reading →

THE HANGOVER REPORT – Maria Friedman’s redemptive revival of MERRILY WE ROLL ALONG lands triumphantly on Broadway

Earlier this week (on Halloween, in fact) at the Hudson Theatre, I had the great pleasure of catching up with the Maria Friedman’s acclaimed Broadway revival of Stephen Sondheim and … Continue Reading →

THE HANGOVER REPORT – In her highly anticipated Carnegie Hall debut, LEA MICHELE sings her way down memory lane

Last night, Lea Michele made her highly anticipated Carnegie Hall debut during which she sang herself and her adoring fans down memory lane. With Ms. Michele’s recent triumph as Fanny … Continue Reading →