THE HANGOVER REPORT – Idina Menzel dares to scale emotional and physical heights in the unsettled new musical REDWOOD

One of the more anticipated events of the current Broadway season is the return to the Great White Way of Idina Menzel in the new musical Redwood, which opened last … Continue Reading →

THE HANGOVER REPORT – Generous, accessible storytelling (and star power) propel Simon Rich’s ALL IN: COMEDY ABOUT LOVE

Earlier this week, I finally caught up with All In: Comedy About Love by Simon Rich at the Hudson Theatre on Broadway (the show is now in the final two … Continue Reading →

THE HANGOVER REPORT – Sanaz Toossi’s Pulitzer Prize-winning ENGLISH translates beautifully to the Great White Way

Earlier this week at the Todd Haimes Theatre, I was able to catch Roundabout Theatre Company’s Broadway transfer of Sanaz Toossi’s Pulitzer Prize-winning English (the play originally ran Off-Broadway in 2022 in … Continue Reading →

THE HANGOVER REPORT – Audra McDonald triumphs in a color-conscious GYPSY that exposes new nuances in the classic musical

Over at the Majestic Theatre on Broadway, you’ll find six-time Tony-winner Audra McDonald getting the daily opportunity to sink her teeth into one of theater’s most iconic roles — described … Continue Reading →

VIEWPOINTS – THE BEST OF 2024: Theater, Music, and Dance

With 2024 recently behind us, what better time to take stock of the year that’s just transpired to highlight the performances that have particularly distinguished themselves from the pack. Read … Continue Reading →

THE HANGOVER REPORT – Jonathan Spector’s EUREKA DAY arrives on Broadway more relevant and pointed than when it first premiered

For my final performance of 2024, I chose to attend Manhattan Theatre Club’s Broadway mounting of Eureka Day by Jonathan Spector at the Samuel J. Friedman Theatre. The play has … Continue Reading →

THE HANGOVER REPORT – An all-star cast animates CULT OF LOVE, Leslye Headland‘s deliciously caustic family comedy-drama

Last night, I had the opportunity to catch up with Second Stage Theater’s Broadway mounting of Cult of Love by Leslye Headland at the intimate Helen Hayes Theater. Known for … Continue Reading →

VIEWPOINTS – Making their mark, again: TEETH is more biting than ever and ELF THE MUSICAL returns with an extra spring in its step

This fall/winter theater season, a pair of musicals based on movies have returned to New York in productions that improve upon their previous incarnation(s). As usual, read on below for … Continue Reading →

VIEWPOINTS – Ravishing country music infiltrates musical theater: J.T. Harding’s MUSIC CITY and the Avett Brothers’ SWEPT AWAY

This fall, a pair of new serious-minded musicals — one under the bright lights of the Great White Way, the other secretively tucked away Off-Broadway in the upstairs performance space … Continue Reading →

THE HANGOVER REPORT – The peppy musical adaptation of DEATH BECOMES HER is elevated by leading ladies Megan Hilty and Jennifer Simard

Last night, the new musical Death Becomes Her opened on Broadway at the Lunt-Fontanne Theatre. Of course, the show is the musical adaptation of the Robert Zemeckis’s 1992 film of … Continue Reading →