THE HANGOVER REPORT – Douglas McGrath’s sweet, unapologetically old fashioned theatrical memoir EVERYTHING’S FINE wistfully conjures childhood memories

Last night, Douglas McGrath’s new play Everything’s Fine opened Off-Broadway at the DR2 Theatre just off of Union Square. Mr. McGrath is perhaps best known for penning the book for … Continue Reading →

THE HANGOVER REPORT – Kareem Fahmy’s new play dissects a marriage under duress by drawing paranormal parallels to DODI & DIANA

This past weekend, I ventured down to Soho to catch a performance of Kareem Fahmy’s Dodi and Diana. The Colt Coeur world premiere is being hosted by HERE courtesy of … Continue Reading →

VIEWPOINTS – Radically reconsidered revivals of American warhorses arrive on Broadway for limited runs: DEATH OF A SALESMAN and 1776

This past weekend, I caught — in quick succession — a pair of radically reconsidered revivals of staples of American theater, both of which have arrived on the Great White … Continue Reading →

THE HANGOVER REPORT – Tom Stoppard’s panoramic, deeply personal LEOPOLDSTADT gorgeously excavates the playwright’s Jewish heritage

This past week at the Longacre Theatre, I attended Leopoldstadt by Tom Stoppard, arguably our greatest living English playwright (his plays include masterworks like The Real Thing, The Coast of … Continue Reading →

THE HANGOVER REPORT – In its collaborative (AFTERLIFE), composer Tyshawn Sorey’s MONOCHROMATIC LIGHT morphs into an altogether altered experience

Earlier this week at the Park Avenue Armory, I had the opportunity to experience composer Tyshawn Sorey’s profound and highly collaborative effort Monochromatic Light (Afterlife). Commissioned by the Armory, the … Continue Reading →

THE HANGOVER REPORT – Constanza Macras and DorkyPark’s dance theater hybrid OPEN FOR EVERYTHING is an unruly explosion of Romani community and life

Last night at the Harvey Theater at BAM Strong, I attended the opening night of DorkyPark’s Open for Everything, the chaotic second offering of the Brooklyn Academy of Music’s 2022 … Continue Reading →

THE HANGOVER REPORT – Gracie Gardner’s devastating I’M REVOLTING sheds exposing light on human frailty as it relates to health and beauty

Last night, Atlantic Theater Company launched into its fall season with the Off-Broadway opening of Gracie Gardner’s I’m Revolting at the Linda Gross Theater in Chelsea. And what a way … Continue Reading →

THE HANGOVER REPORT – In KATE, comedienne Kate Berlant savagely pokes at (and deflates) the notions of performance, identity, and theater

This past weekend, I finally had a chance to catch up with Kate Berlant’s latest rabbit hole of a show Kate at the cozy Connolly Theater in the East Village … Continue Reading →

THE HANGOVER REPORT – Martyna Majok’s empathetic, clear-eyed Pulitzer Prize-winning drama COST OF LIVING arrives on Broadway

Last night, Martyna Majok’s 2016 play Cost of Living opened at the Samuel J. Friedman Theatre courtesy of Manhattan Theatre Club. The deserving winner of the 2018 Pulitzer Prize for … Continue Reading →

THE HANGOVER REPORT – With Elevator Repair Service’s BALDWIN & BUCKLEY AT CAMBRIDGE, the eloquent arguments of James Baldwin continue to spout from New York stages

Last night, The Public Theater commenced its busy fall theater season with the opening of Elevator Repair Service’s production of Baldwin & Buckley at Cambridge at the Anspacher Theater. Conceived … Continue Reading →