THE HANGOVER REPORT – AMERICAN BALLET THEATRE continues its fall season showing off its versatility in a slew of signature works
- By drediman
- October 28, 2024
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Over the past week or so at the David H. Koch Theater at Lincoln Center, I had the chance to further immerse myself in American Ballet Theatre’s fall season, which … Continue Reading →
THE HANGOVER REPORT – Life lessons go down easily in Delia Ephron’s LEFT ON TENTH starring Julianna Margulies and Peter Gallagher
- By drediman
- October 28, 2024
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This past weekend, I had the opportunity to catch up with the stage adaptation of Delia Ephron’s memoir Left on Tenth, which is currently running on Broadway at the James … Continue Reading →
VIEWPOINTS – Two timely political thrillers at New York City Center: Stephen Sachs’ FATHERLAND and Erika Sheffer’s VLADIMIR
- By drediman
- October 26, 2024
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On consecutive nights at each of the subterranean performance spaces at New York City Center, I was able to attend two works of highly charged political theater that tap into … Continue Reading →
THE HANGOVER REPORT – All their tragic: Youthful ensemble storytelling drives Broadway’s starry, laid back ROMEO AND JULIET
- By drediman
- October 25, 2024
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Last night, the starry new production of William Shakespeare’s Romeo and Juliet opened on Broadway at the Circle in the Square Theatre. Not to be confused with Jamie Lloyd’s unfortunate … Continue Reading →
THE HANGOVER REPORT – Osvaldo Golijov’s fiery opera AINADAMAR makes its Met debut in an evocative, dreamy production
- By drediman
- October 24, 2024
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The major mounting of any contemporary opera is cause for attention — especially during this challenging period for that most extravagant of art forms — which is the reason why … Continue Reading →
THE HANGOVER REPORT – Julia May Jonas’s beguiling A WOMAN AMONG WOMEN engages in a fascinating dialogue with an Arthur Miller warhorse
- By drediman
- October 24, 2024
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This week, I ventured out to East Williamsburg to catch the Bushwick Starr’s production of A Woman Among Women by Julia May Jonas. The mounting — a co-presentation with New … Continue Reading →
VIEWPOINTS – All About My Father: Fatherhood woes feature prominently in Lloyd Suh’s FRANKLINLAND and Mathilde Dratwa’s DIRTY LAUNDRY
- By drediman
- October 23, 2024
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In my recent theater-going adventures, I came across a pair of new Off-Broadway plays that respectively dramatize — in theatrically imaginative fashion — two cases of fatherhood woes. As always, … Continue Reading →
THE HANGOVER REPORT – DRAG: THE MUSICAL follows a familiar formula but makes for a mighty entertaining evening
- By drediman
- October 22, 2024
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It’s hard not to have a good time at Drag: The Musical, the crowd-pleasing new Off-Broadway musical that opened last night at New World Stages. Fabricated from a familiar concoction … Continue Reading →
THE HANGOVER REPORT – THE FORD/HILL PROJECT powerfully splices the trailblazing testimonies of Anita Hill and Christine Blasey Ford
- By drediman
- October 21, 2024
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This past weekend at the Public Theater, I caught the final performance of Waterwell’s production of The Ford/Hill Project (the piece is co-presented by Woolly Mammoth Theatre Company in Washington, … Continue Reading →
VIEWPOINTS – Radical deconstructions: The hyped Broadway revival of SUNSET BLVD. and the confounding SHOWGIRL at NYU Skirball
- By drediman
- October 21, 2024
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I recently had the opportunity to take in a pair of provocative productions by adventurous theater-makers that radically deconstruct recognizable works of pop culture, challenging audiences to look at them … Continue Reading →