THE HANGOVER REPORT – Sweden’s Cullberg makes its Joyce debut with Deborah Hay’s clinical HORSE, THE SOLOS

Last night, Sweden’s contemporary dance company Cullberg made its debut at The Joyce Theater. For its maiden set of performances at the Chelsea dance venue, the company has chosen to … Continue Reading →

VIEWPOINTS – A pair of comics remedy the winter doldrums: Julie Halston in DECLASSIFIED! and Colin Quinn in SMALL TALK

Few things can remedy the winter doldrums than attending a diverting comedy show. Over the past few days, I was able to take in a pair of inspired solo performances … Continue Reading →

THE HANGOVER REPORT – Stephen Adly Guirgis’s blistering dark comedy BETWEEN RIVERSIDE AND CRAZY arrives on Broadway

This past weekend at the Helen Hayes Theater, I caught up with the belated Broadway edition of Stephen Adly Guirgis’s Between Riverside and Crazy. A Pulitzer Prize winner in 2015, … Continue Reading →

THE HANGOVER REPORT – Lightning Rod Special’s audaciously improbable musical THE APPOINTMENT returns Off-Broadway

One of the most improbable theatrical creations of the past five years or so must surely be Lightning Rod Special’s The Appointment, a musical which contextualizes and contemplates what it … Continue Reading →

VIEWPOINTS – Winter nights at the Metropolitan Opera: Giordano’s FEDORA and Poulenc’s DIALOGUES DES CARMÉLITES

This past week, I had the chance to attend a pair of productions at the Metropolitan Opera before the company takes its newly-instituted February hiatus from performances. Here are my … Continue Reading →

THE HANGOVER REPORT – Germany’s tanzmainz makes its Joyce debut with Sharon Eyal’s visceral, hypnotic SOUL CHAIN

This week, the German contemporary dance company known as tanzmainz makes its Joyce debut. For the occasion, the company – which takes its residence at the prolific Chelsea dance venue through … Continue Reading →

THE HANGOVER REPORT – For one night only, the great Natalia Osipova conjures the versatility of her career in FORCE OF NATURE

This past weekend, Natalia Osipova performed for one night only at New York City Center, giving her many dance fans a glimpse, once again, of the greatness that elevated her … Continue Reading →

VIEWPOINT – A million ways to tell a story: A recap of UNDER THE RADAR 2023

There are a million ways to tell a story – just ask the folks behind Under the Radar. Returning with a vengeance this January after two years on hiatus, the … Continue Reading →

VIEWPOINT – PROTOTYPE 2023 continues to be a fertile incubator for the development of important new works of music theater

Last week, I immersed myself in the 2023 edition of Prototype, a weeklong festival of new operas (in the most forward-looking instances of the genre) presented by Beth Morrison Projects … Continue Reading →

THE HANGOVER REPORT – The romance fails to ignite in Hong Kong Ballet’s otherwise sweeping and cinematic update of ROMEO & JULIET

This past weekend at New York City Center, Hong Kong Ballet performed – for two performances only – its production of Romeo & Juliet, which has been choreographed by the … Continue Reading →