VIEWPOINTS – The Best of 2019

2019 is now officially a series of memories. Here are the best of them (in alphabetical order, by category).   BEST NEW PLAYS Ain’t No Mo’ (The Public Theater) BLKS (MCC … Continue Reading →

THE HANGOVER REPORT – Lauren Gunderson’s conventional THE HALF-LIFE OF MARIE CURIE features a pair of passionate performances that do their trailblazing subjects proud

In recent years, Audible Theater has been assembling a constellation of wonderfully performed, usually starry Off-Broadway solo shows (to date, I’ve seen five of their productions: Harry Clarke, Girls and … Continue Reading →

THE HANGOVER REPORT – A living nightmare: Lucas Hnath’s stealthy psychological thriller THE THIN PLACE conjures first-hand terror

Of the crop of thriving contemporary playwrights, Lucas Hnath just might be the most consistently adventurous, both conceptually and stylistically. Over the years, he’s reliably surprised and delighted theatergoers with … Continue Reading →

THE HANGOVER REPORT – Daniel Kitson’s existential, purposefully elusive KEEP offers no prescriptive answers

This winter, British comedian/monologist Daniel Kitson has returned to St. Ann’s Warehouse in Brooklyn with Keep (I had previously seen his ANALOGUE.UE and Mouse, both also at St. Ann’s). Mr. Kitson’s brand of … Continue Reading →

THE HANGOVER REPORT – Abbie Spallen’s emotionally unfiltered PUMPGIRL finds poetry in small town tragedy and desperation

Off-Broadway’s Irish Repertory Theatre is currently playing host to the extended run of Abbie Spallen’s 2006 play Pumpgirl. Set in a dead end community in rural Northern Ireland, Ms. Sprallen’s play tells the tale of two … Continue Reading →

VIEWPOINTS – Beyond the proscenium: BABY, IN MANY HANDS, THE COURTROOM & THE TROJAN WOMEN prove to be profoundly compelling immersive theatrical experiences

In the last week or so, I coincidently encountered quite the lineup of immersive theatrical productions. Interestingly, each proved to be compelling yet very different experiences despite their fourth wall-breaking commonalities. Perhaps … Continue Reading →

THE HANGOVER REPORT – Maury Yeston’s career is zestfully, economically represented in ANYTHING CAN HAPPEN IN THE THEATER at the York

Although his musicals have won more than their fair share of awards over the years (quite a slew of Tonys were accumulated between Nine, Grand Hotel, and Titanic alone), Broadway composer/lyricist Maury Yeston still strikes … Continue Reading →

THE HANGOVER REPORT – Bedlam’s revival of THE CRUCIBLE by Arthur Miller is visceral theater of the highest order

When I first heard that New York was getting yet another revival of Arthur Miller’s The Crucible, I welcomed the news with mixed feelings. It wasn’t that long ago that Ivo van … Continue Reading →

THE HANGOVER REPORT – Pam Tanowitz’s clean and organic NEW WORK FOR GOLDBERG VARIATIONS continues her winning streak

In recent years, I’ve come to think of Pam Tanowitz, a major talent still on the ascent, as one of the most reliable dance-makers in the business. Last night, I caught … Continue Reading →

THE HANGOVER REPORT – HARRY CONNICK, JR.: A CELEBRATION OF COLE PORTER is an awkward tribute, but the music-making is sensational

This week at the Nederlander Theatre, Harry Connick, Jr.: A Celebration of Cole Porter opened on Broadway for a limited holiday season run. To say that the show is merely a concert would be … Continue Reading →