VIEWPOINTS – Facing adversity, together: Bristol Old Vic’s MESSIAH and the Almeida’s NINE LESSONS AND CAROLS
- By drediman
- December 31, 2020
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To close out this decimated year, I chose to stream a pair of somber productions from across the pond – both reflective, clear-eyed monuments to an unprecedented 2020. Nowhere in … Continue Reading →
THE HANGOVER REPORT – ON POINTE on Disney Plus is an inspiring ode to the capacity of children and young adults to thrive
- By drediman
- December 29, 2020
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Yesterday, I binge-watched Disney Plus‘s new documentary series On Pointe, which chronicles a year at the prestigious School of American Ballet (“SAB”). Closely associated with the world renowned New York … Continue Reading →
VIEWPOINTS – Highly anticipated stage-to-screen adaptations: A searingly acted MA RAINEY’S BLACK BOTTOM and a faithfully transcribed THE PROM
- By drediman
- December 27, 2020
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December was a big month for major stage-to-screen adaptations. Indeed, much to the delight of locked-down theater fans, the recent weeks saw the Netflix premieres of the highly anticipated film … Continue Reading →
VIEWPOINTS – Streaming Diary: Pam Tanowitz’s captivating FINALLY UNFINISHED, two new works from Alvin Ailey, and BalletCollective’s immersive NUTCRACKER
- By drediman
- December 24, 2020
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I recently got the chance to take in some rather fascinating virtual dance productions. Here are my thoughts on them. FINALLY UNFINISHED: PART 1Pam Tanowitz Dance / The Joyce Theater … Continue Reading →
VIEWPOINTS – Streaming Diary: Theater companies collaborate to mount THE FLYING LOVERS OF VITEBSK, THIS IS WHO I AM, and I AM SENDING YOU THE SACRED FACE
- By drediman
- December 17, 2020
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During the pandemic, theater companies around the world continue to collaborate amongst themselves to produce virtual content at an impressive clip. Here are my thoughts on some recent viewings. THE … Continue Reading →