VIEWPOINTS – Paying homage to dance icons: Channeling Nijinsky in ANIMA ANIMAL and Cunningham in BEGIN ANYWHERE
- By drediman
- February 20, 2025
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Over the past few days, I had the chance to take in a pair of new works of dance that paid homage to icons of the form. As always, read … Continue Reading →
THE HANGOVER REPORT – Opera as downtown theater: Heartbeat Opera’s intimately scaled SALOME is an in-your-face thriller
- By drediman
- February 18, 2025
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This past holiday weekend, I also had the opportunity to catch the final performance of Heartbeat Opera’s compact version of Salome. Based on Oscar Wilde’s 1891 play of the same … Continue Reading →
THE HANGOVER REPORT – Idina Menzel dares to scale emotional and physical heights in the unsettled new musical REDWOOD
- By drediman
- February 14, 2025
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One of the more anticipated events of the current Broadway season is the return to the Great White Way of Idina Menzel in the new musical Redwood, which opened last … Continue Reading →
THE HANGOVER REPORT – Akram Khan returns to his roots and to the stage in the exquisite GIGENIS: THE GENERATION OF THE EARTH
- By drediman
- February 13, 2025
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Although I thought I had seen the last of Akram Khan as a performer, it’s nonetheless a welcome the opportunity to see the legendary British-Bangladeshi choreographer/dancer return to the stage in … Continue Reading →
THE HANGOVER REPORT – NAATCO’s modern verse version of CYMBELINE puts a feminist spin on the Bard’s rarely performed romance
- By drediman
- February 13, 2025
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Over at the Lynn F. Angelson Theater (many will recognize the venue as Classic Stage Company’s home base), you’ll find the National Asian American Theatre Company (known simply as “NAATCO” … Continue Reading →
THE HANGOVER REPORT – Black rage courses through Ian Andrew Askew’s multidisciplinary SLAMDANCE GARAGE
- By drediman
- February 12, 2025
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Then there’s SLAMDANCE garage at The Bushwick Starr, Ian Andrew Askew’s unclassifiable solo show that’s been produced in association with ¡Oye! Group. In their multidisciplinary piece, Askew plays with disparate … Continue Reading →
THE HANGOVER REPORT – Jordan Harrison’s THE ANTIQUITIES episodically chronicles humanity’s dire future vis-à-vis the rise of A.I.
- By drediman
- February 10, 2025
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This past weekend, I had the opportunity to catch up with Jordan Harrison’s latest speculative play The Antiquities, which is currently running Off-Broadway at Playwrights Horizons (the company is presenting … Continue Reading →